If watching the film in January felt weird, watching it in July was outright bizarre, verging on surreal. So on a Tuesday afternoon in July, I went to a screening room in Times Square to rewatch the film, which was tweaked slightly after Sundance to include a little more footage of Trump’s statements on the environment during his campaign and a small amount of reflection on the state of climate activism after his election. He’s done this while also directly confronting previous US policy on climate change through Cabinet appointments and, most notably, withdrawing the US from the Paris agreement, where the film’s climactic moments are set. In the months since his inauguration, Trump has made it his mission to undermine as much as possible any remaining notions of shared consensus. In the case of An Inconvenient Sequel, this was mandatory. When I’ve seen a film months before its release in a festival setting, I often try to see it a second time.
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Two days after the movie’s Sundance premiere, then-White House press secretary Sean Spicer took to the briefing room podium to declare without any evidence that Trump’s inauguration drew the largest audience of any in history, “period.” The next day, Trump adviser Kellyanne Conway showed up on TV and unforgettably introduced us to “alternative facts.” A few days later, I realized that differing approaches to the challenge of operating in the realm of truth and reality was the de facto theme of films at Sundance - and that the debate over the most effective ways of speaking truth to power wouldn’t go away anytime soon.
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The movie was anachronistically optimistic, as if it had been made expecting a different election result and then hastily edited to accommodate reality. “Gore believes that getting the right information to people will encourage them to speak truth to power,” I wrote, “and while that seems almost naive in an era of deeply partisan ‘facts,’ it’s good to be reminded that someone still believes.” The film, a sequel to Al Gore’s Oscar-winning 2006 documentary An Inconvenient Truth, had been selected to open the Sundance Film Festival.Įven then, it felt like a strange film to be watching, a fact that I mentioned in my 2.5/5 star review. The first press screening of An Inconvenient Sequel: Truth to Power was on January 19, the evening before Donald Trump was inaugurated as the 45th president of the United States. And then in the second one they free themselves again. “The first one ends on a little success, but only enough to give the humans hope. “It’s still some of the same characters, but also new younger characters it’s a little bit like the sons take over,” says Emmerich, who promises that the first sequel will have a cliffhanger ending to keep audiences coming back for more.
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And while there may be some familiar faces in the sequels - Bill Pullman has already confirmed that he is onboard Will Smith has not - their storylines will focus on a new generation of human heroes, including the stepson of Will Smith’s Independence Day character (played in that film by Ross Bagley).
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We don’t know how to duplicate it because it’s organically-grown technology, but we know how to take an antigravity device and put it in a human airplane,” he explains. have harnessed all this alien technology. Emmerich says he’s also working with an art department staff to see how the world of ID Forever might look.